architecture decides who gets in
Architecture has always made decisions about who gets inside. Walls separate one environment from another, roofs close the gap overhead, and increasingly controlled building envelopes keep the human interior dry and predictable. Birds nesting beneath the eaves or insects finding their way into a cavity tend to enter the conversation later, usually as maintenance.
Across a group of projects that designboom has followed over the past decade, architects are beginning with a different premise. Some openings stay open on purpose. At ChartierDalix’s School of Science and Biodiversity in Boulogne-Billancourt, France, completed in 2014, the concrete envelope was formed with ledges, hollows, cracks and crevices where vegetation and wildlife could establish themselves. The wall was conceived from the beginning as somewhere other bodies might live.
ChartierDalix, School of Science and Biodiversity, France, 2015 | image © P. Guignard
A decade later, the building makes an unusually persuasive case for giving architecture time to become inhabited. Ecological surveys carried out since its completion have recorded 207 plant species and 138 animal species, bringing the total to 345, a level ChartierDalix compares to the biodiversity of an urban park. Some arrived through the original planting, while many appeared spontaneously.
The usual image of a finished facade is directly affected by these new occupants. Soil gathers in small pockets, seeds arrive, surfaces weather, and organisms select the places that suit them. Here, occupation by other species belongs to the building’s continued development, and polished photographs taken upon the building’s completion tell only the beginning of the story.
ChartierDalix, School of Science and Biodiversity (facade detail), France, 2015 | image © P. Guignard
rooms behind the cladding
At Buitenverblijf Nest in the Hoge Veluwe, i29 and Namo Architecture take the question into the scale of a small holiday home. Its tall black silhouette rises on slender legs between the treetops like an enlarged birdhouse.
The resemblance goes deeper than the outline. Three facade layers step outward to create enough depth for nesting spaces, while cavities behind the cladding offer shelter for birds and bats. Areas beneath the elevated floor can be occupied as well. Inside, people get a compact 55-square-meter retreat with wide views across the heath. Around that interior sits another set of rooms, hidden within the thickness of the architecture and inaccessible to its human occupants.
Buitenverblijf Nest, i29 architects and Namo Architecture, Norway, 2024 | image © Jeroen Musch
BIG’s Biosphere at Treehotel in Harads, Sweden, makes those parallel accommodations impossible to miss. The glazed hotel room sits inside a spherical cloud of 350 birdhouses, developed with Swedish ornithologist Ulf Öhman. Their sizes and positions vary according to bird populations in the area, leaving openings between the boxes for daylight and views from the room within.
The tiny dwellings therefore determine the building’s most recognizable design feature. From inside, guests look through a screen assembled for another kind of resident; from outside, the human room almost disappears behind it. The project turns the facade into shared real estate, with one species occupying the heated center and another settling across its outer edge.
Biosphere at Treehotel, Bjarke Ingels Group / BIG, Sweden, 2022 | images courtesy BIG
when wildlife changes the plan
The relationship becomes more entangled at Rambla Climate-House in Molina de Segura, Spain, by Andrés Jaque / Office for Political Innovation and Miguel Mesa del Castillo. The house sits in a suburban territory where development had flattened much of the ravine system created by seasonal rainfall. Its architecture attempts to bring a section of that ecosystem back.
Rain collected from the roof and greywater from sinks and showers feed an elliptical area of reconstructed rambla, while humidity and conductivity sensors help regulate its conditions. The rooms of the house curve around this space, turning the domestic plan toward a landscape that continues to change.
Rambla Climate-House, Andrés Jaque and Miguel Mesa del Castillo, Spain, 2022 | images © José Hevia
Within about a year of restoring its hydrothermal conditions, vegetation and wildlife had begun to return.
That project expands the idea of accommodation beyond a nest-sized cavity. The requirements of other living systems affect where water travels, how the house is organized and what its occupants maintain. Jaque’s Reggio School in Madrid approaches the same question through material.
Around 80 percent of its exterior is wrapped in a thick layer of projected cork whose irregular surface was designed to collect organic material and eventually support microbial, vegetal and animal life. designboom covered early plans for the school in 2019, followed the completed project in 2022, and returned to Jaque’s work this year as the architect described architecture capable of supporting extended ecosystems. The cork skin makes that idea physical. Its roughness has a job beyond appearance or insulation. It creates places where other forms of life can take hold.